Ladies and Gentlemen: Todd Walton (and me)
StripesMay 13th, 2015
This Song’s For You by Nolan Winkler
(This article appeared in the Anderson Valley Advertiser May 2015)
“The truth you believe in and cling to makes you unavailable to hear anything new.” Pema Chödrön
A friend recently sent me a link to a short movie about a high school art teacher in St. Paul Minnesota whose students are recent arrivals from other countries, refugees from military conflicts. Many of the students barely speak English, so this teacher has devised fun and creative ways to explore color theory without needing much language for the learning.
Watching the film reminded me of another short art-related movie made by a friend of mine in 1976 called Stripes, about stripe patterns in paintings and life. Dan Nadaner, now a professor of art and a successful artist, made the three-minute long film in those pre-digital days while doing an internship at the Metropolitan Museum of Art in Manhattan. For the soundtrack, he wrote a ditty about the stripes that appear in paintings by famous artists, and he asked me to play guitar and sing his lyrics in the way he imagined, a kind of slow-going country song.
I was twenty-six and living in Medford Oregon at the time, working as a landscaper. I had stopped writing and making music entirely for a reason that may sound ridiculous, but which made perfect sense given the accumulation of neuroses characterizing me in those days.
I took up the guitar at the age of twenty when I needed a more mobile instrument than a piano. Three years later I was making a large part of my minimal living playing guitar and singing in pubs and cafés in Santa Cruz, and it was during this time I entered into a relationship with a woman who was studying piano.
My relationship pattern at that time and for much of my life was to choose partners and friends who were openly hostile toward my music and writing. Why would an artist repeatedly get involved with people who despise his art? The short answer is that my parents were contemptuous of my music and writing and violently opposed to my pursuing those art forms as my life’s calling. Thus as a child and teenager I became habituated to abuse and disdain for what I was passionate about, and as I progressed into adulthood I repeatedly and unconsciously chose people reminiscent of my parents to be my mates and friends. This continued into middle age when I finally broke free of that debilitating pattern.
But before breaking free, I spent much of my life enmeshed with people who thrived on disparaging the likes of me, and one of those people was my girlfriend when I was twenty-four and twenty-five and making part of my living as a musician and selling the occasional short story. My girlfriend hated the relative ease with which I made music, and by the end of our relationship she had convinced me that my desire to entertain people with my music and stories was an emotional crutch. She preached at me incessantly that if I ever wanted to become a whole and genuine person, I needed to quit making music and stop writing.
So I gave up writing and music, she and I broke up, I went to work as a landscaper, and I didn’t play a note or write a word for one long year until Dan called me from New York and asked me to play guitar and sing the soundtrack for his movie Stripes.
I clearly remember telling Dan that I no longer played guitar or sang or wrote stories, and I remember Dan calmly suggesting this was a passing phase, that I was a good musician and he was sure I would do a fine job singing his ditty about stripes.
So I borrowed a guitar and played and sang the Stripes song into a cassette recorder and sent the tape to Dan, thinking it would be something he could use to clarify his vision of the soundtrack, but then he called and said, “That’s perfect.”
The next day I woke up with a new song forming and I barely got the words written down and the chords figured out before another song began to emerge. Then the floodgates opened, I purchased the borrowed guitar, wrote dozens of songs, started playing the piano again, and haven’t stopped playing since.
Shortly after I began making music again, I wrote the first short story I’d written in two years and immediately sold it for five hundred dollars. I know this sounds like a fairy tale, but it is entirely true. Dan asking me to play and sing for his movie, and his approval of what I created for him, lifted the curse and turned Toad into a functional writer and musician again.
“How did it get so late so soon? Its night before its afternoon. December is here before its June. My goodness how the time has flewn. How did it get so late so soon?” Dr. Seuss
More than thirty years later, Dan sent me a DVD of Stripes, and when I watched the movie again after all these years, my gratitude to him was as big as the moon. The film is somewhat rosy now, having lain in a canister for three decades before being transferred to digital format, but I still find it a most beautiful creation. Our web meister Garth has posted Stripes on my web site so you can take a look. Just go to Underthetablebooks.com and click onFilms.
Alas, my resumption of writing and making music way back when did not go hand in hand with an end to relationships with abusive people who hated my music and writing. That blessed day would not come until I was in my mid-fifties and I finally ended the last of those debilitating connections. What took me so long? I guess these kinds of transformations take time.